Jeczalik, engineer Gary Langan and keyboard player/string arranger Anne Dudley. In 1981, Horn's production team included programmer J. While some musicians were using samples as adornment in their works, Horn and his colleagues saw the potential to craft entire compositions with the sampler. Music producer Trevor Horn was among the early adopters of Fairlight. With the Fairlight, short digital sound recordings called samples could be played using a piano-like keyboard, while a computer processor altered such characteristics as pitch and timbre. The technological impetus for the Art of Noise was the advent of the Fairlight CMI sampler. The band is noted for innovative use of electronics and computers in pop music, particularly its innovative use of sampling. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. The group had international Top 20 hits with its interpretations of " Kiss", featuring Tom Jones, and the instrumental " Peter Gunn", which won a 1986 Grammy Award. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. Art of Noise (also The Art of Noise) were a British avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J.
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